![]() Working for the clampdown The Clash, the dawn of neoliberalism and the political promise of punk Edited by Colin CoulterĬopyright © Manchester University Press 2019 While copyright in the volume as a whole is vested in Manchester University Press, copyright in individual chapters belongs to their respective authors, and no chapter may be reproduced wholly or in part without the express permission in writing of both author and publisher. ![]() The one struggle: The Clash, Gary Foley, punk politics and Indigenous Australian activismīrigade Rosse: The Clash, Bologna and Italian punx ‘Cashing in the bill of rights’? The Clash in New York, in myth and reality ‘Up and down the Westway’ or ‘live by the river’? Britishness, Englishness, London and The Clash Part III: ‘It could be anywhere, Most likely could be any frontier,Any hemisphere’: The Clash around the world ‘The beautiful people are ugly too’: The Clash as my ‘true fiction’ What if Keith Levene had never left The Clash? Punk and the politics of novelty Retrieving the messianic promise of punk: The Clash in 1977 ‘Are you going backwards, Or are you going forwards?’ – England past and England future in 1970s punk Part II: ‘Back in the garage with my bullshit detector’: The Clashand the cultural politics of punk ‘Up in heaven (not only here)’: The Clash, left melancholia and the politics of redemption ![]() The Clash and musical artistry: against the corporate voice Part I: ‘No Elvis, Beatles or the Rolling Stones’: The Clash, thepolitics of pop and the neoliberal conjuncture Working for the clampdown: an introduction ![]()
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